GLENN LIGON (B. 1960)
GLENN LIGON (B. 1960)
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GLENN LIGON (B. 1960)

Stranger Drawing #4

細節
GLENN LIGON (B. 1960)
Stranger Drawing #4
signed twice, titled and dated 'Glenn Ligon 2004 Stranger Drawing #4' (on the reverse)
oil, coal dust and graphite on paper mounted on aluminum
60 x 40 in. (152.4 x 101.6 cm.)
Executed in 2004.
來源
Baldwin Gallery, Aspen
Private collection, Tokyo, 2007
Anon. sale; Sotheby's, New York, 10 May 2012, lot 438
Acquired at the above sale by the present owner
展覽
Aspen, Baldwin Gallery, Glenn Ligon: Drawings, February-March 2005.

榮譽呈獻

Rachael White Young
Rachael White Young Vice President, Senior Specialist, Head of Core Market Sales

拍品專文

In Stranger Drawing #4, Glenn Ligon recreates text from James Baldwin’s 1955 essay Strangers in the Village, a story about the habitants of a small Swiss village and their encounters with a black man—their first experience of the kind. It is a work that is inherently about race: from the choice of text, to the cultural connotations about the blackness of the medium, coal dust, Stranger Drawing #4 explores and engages the subject with intensity and purpose. An artist for whom the printed word holds deep significance, Ligon "wants to make language into a physical thing, something that has real weight and force to it" (Glenn Ligon, quoted in R. Smith, "Lack of Location Is My Location," New York Times, 16 June 1991, p. 27).

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