PIERRE-AUGUSTE RENOIR (1841–1919)
PIERRE-AUGUSTE RENOIR (1841–1919)
PIERRE-AUGUSTE RENOIR (1841–1919)
2 更多
PIERRE-AUGUSTE RENOIR (1841–1919)

Les oliviers à Cagnes

細節
PIERRE-AUGUSTE RENOIR (1841–1919)
Les oliviers à Cagnes
signed 'Renoir.' (lower right)
oil on canvas
18 3⁄8 x 21 ¾ in. (46.8 x 55.3 cm.)
來源
Galerie Tamenaga, Tokyo.
Private collection, Japan (acquired from the above, circa 2000).
Acquired from the above by the present owner.
更多詳情
This work will be included in the forthcoming Pierre-Auguste Renoir digital catalogue raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.
This work will be included in the second supplement to the Catalogue raisonné des tableaux, pastels, dessins et aquarelles de Renoir being prepared by Guy-Patrice and Floriane Dauberville.

榮譽呈獻

Margaux Morel
Margaux Morel Associate Vice President, Specialist and Head of the Day and Works on Paper sales

拍品專文

Following his trip to Italy in 1881, Pierre-Auguste Renoir became preoccupied with the classical tradition of landscape composition. Contrary to many of his Impressionist colleagues, he was keen to portray an Arcadian vision of the French landscape, which was natural and unchanging, choosing to depict unspoiled views, free from any signs of industry or modern life. In 1907, the artist moved to the picturesque setting of Cagnes-sur-Mer, on the Côte d’Azur, purchasing the pretty stone farmhouse Les Collettes, where he was to live for the remainder of his life. Relocating here with his wife, Aline Charigot, and their two children, Pierre and Jean, the move was in part prompted by Renoir’s increasing rheumatoid arthritis, which he hoped would desist in the warmer climate. Set among beautiful olive and citrus groves, with views overlooking the Mediterranean Sea and mountainous vistas beyond, the two-story house provided the perfect setting for Renoir’s painting, supplying an infinite source of inspiration in his final years. The present work is evocative of Renoir’s feelings for the place, with the warmth of tone and radiance of light conveying his love for Les Collettes. Depicting the charming countryside that surrounded his home, Renoir’s enlivened brushstroke and dynamic use of color beautifully capture the lush, serene environment.

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