A REGENCY POLLARD OAK, EBONY AND EBONISED BREAKFRONT SIDE CABINET
A REGENCY POLLARD OAK, EBONY AND EBONISED BREAKFRONT SIDE CABINET
A REGENCY POLLARD OAK, EBONY AND EBONISED BREAKFRONT SIDE CABINET
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A REGENCY POLLARD OAK, EBONY AND EBONISED BREAKFRONT SIDE CABINET
5 更多
A REGENCY POLLARD OAK, EBONY AND EBONISED BREAKFRONT SIDE CABINET

ATTRIBUTED TO GEORGE BULLOCK, CIRCA 1810

細節
A REGENCY POLLARD OAK, EBONY AND EBONISED BREAKFRONT SIDE CABINET
ATTRIBUTED TO GEORGE BULLOCK, CIRCA 1810
The stepped top with ebony stringing, above a frieze drawer inlaid with stylised floral motifs, over a pair of doors inlaid with stylised palmettes, flanked by open bays fitted with a shelf, surmounted by acroteria, on bracket feet and a plinth base
43 in. (109.5 cm.) high; 68 in. (173 cm. wide); 19 in. (49 cm.) deep
來源
H. Blairman and Sons, 1980s.
Sir James Stirling R.A. (1926-1992) and by descent until sold
H. Blairman & Sons, London, where acquired by Philip Hewat-Jaboor, July 2016.
出版
F. Collard, Regency Furniture, Woodbridge, 1985, p. 112.
H. Blairman & Sons Ltd., Furniture & Works of Art, 2016, no. 4.
展覽
National Trust for Scotland, 2000-2015.
H. Blairman & Sons Ltd, London, 2016.

榮譽呈獻

Benedict Winter
Benedict Winter Associate Director, Specialist

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This impressive bookcase is almost identical to a design found in ‘Tracings by Thomas Wilkinson, from Designs of the late Mr George Bullock 1820’, with minor differences to the base, now held in the Birmingham Museum and Art Gallery (1974M3.87). It is likely Thomas Wilkinson either worked for Bullock, or used his original designs to take advantage of Bullock’s wide appeal and imitability. Cabinets such as this, designed by Bullock, often included a raised central plinth, possibly for the display of sculpture or other objects; a side cabinet with a similar raised plinth is now in the collection of the V&A (see W.32:1 to 33-1979).

Sir James Stirling (1924-1992) was a giant of 20th century British architecture; he was that rare creature - a passionate advocate of the modern with a deep appreciation of the past and with a true connoisseur's understanding of the historical styles from which he drew inspiration, much like Philip Hewat-Jaboor. Stirling surrounded himself with furniture, pictures and objects that reflected his friendships, his work and the spirit of the age, with a particular focus on the Regency period. Highlights from his collection of Regency furniture were sold in these rooms., 29 April 2010, lots 111-120.

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