A BLUE-AND-WHITE PORCELAIN BOTTLE VASE
A BLUE-AND-WHITE PORCELAIN BOTTLE VASE
A BLUE-AND-WHITE PORCELAIN BOTTLE VASE
4 更多
A BLUE-AND-WHITE PORCELAIN BOTTLE VASE
7 更多
A BLUE-AND-WHITE PORCELAIN BOTTLE VASE

JOSEON DYNASTY (18TH-19TH CENTURY)

細節
A BLUE-AND-WHITE PORCELAIN BOTTLE VASE
JOSEON DYNASTY (18TH-19TH CENTURY)
The globular body with tall neck ending in a slightly rolled lip, set on a short circular foot, applied with a lustrous transparent glaze
9 7/8 in. (25.1 cm.) tall
With a box authenticated by Asakawa Noritaka
拍場告示
Please note, there is no provenance information attached to this lot.

榮譽呈獻

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

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拍品專文

The feline face, long vertical stripes and long tail identify the beast with those markings as a tiger, or horangi, which is regarded as both a guardian that wards away evil spirits and a sacred creature that brings good fortune. Though not one of the Four Directional Deities, or Sasin—a term referring to the mythical animals guarding the four cardinal directions: Azure Dragon of the East, White Tiger of the West, Black Tortoise-and-Serpent of the North and Vermilion Bird of the South—the tiger has long been associated with Korea and Korean culture, and it figures in Korea’s foundation mythology. In fact, the oldest Korean historical records that mention the tiger associate it with Dangun, Korea’s legendary founding father. In blue-and-white jars and folk paintings, the tiger is often shown together with a pine tree, a magpie, or both (See In Blue and White, p. 137, no. 99, and pp. 210-213, nos. 176-180).

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