拍品 373
373
Man Ray (1890-1976)
Man Ray (1890-1976)
Man Ray (1890-1976)
2 更多
Man Ray (1890-1976)

Adrienne Fidelin, c. 1937

細節
Man Ray (1890-1976)
Man Ray
Adrienne Fidelin, c. 1937
tirage argentique
daté au crayon 'Paris Mar 1937', cachet du photographe 'Man Ray - 8 rue du Val-de-Grace Paris 5e - France. Danton 92-25' et cachet de copyright 'ADAGP' (verso)
image/feuille : 17.6 x 11.6 cm.

gelatin silver print
dated in pencil 'Paris Mar 1937', stamped photographer's credit 'Man Ray - 8 rue du Val-de-Grace Paris 5e - France. Danton 92-25' and stamped copyright credit 'ADAGP' (verso)
image/sheet : 6 7/8 x 4 5/8 in.
來源
Collection Marion Meyer, Paris.
展覽
Fukui, Fine Arts Museum; Okazaki, Mindscape Museum; Saitama, The Museum of Modern Art; Yamanashi, Prefectural Museum of Modern Art et Tokushima, Modern Art Museum, Man Ray, I am an Enigma, juin 2004-mars 2005, ill. 204, p. 141.
Malaga, Fundacion Malaga / Fundacion Picasso Casa Natal, Man Ray : yo soy un enigma, mai-juillet 2006, p. 147.
Andros, Fondation Goulandris, Man Ray, Visages of the Woman, juin-septembre 2015, ill. 40, p. 98.
Paris, Musée d'Orsay, Le modèle noir, mars-juillet 2019, p. 306.
Pékin, M Woods et Qingdao, TAG Museum, Man Ray, Dreams, Images and love, septembre 2021-mars 2022.
Tokyo, Bunkamura Museum; Nagano, The Nagano Art Museum; Niigita, Niigita City Art Museum et Hayama Kanagawa, The Museum of Modern Art, Man Ray and the Women, juillet 2021-janvier 2023, ill. 164, p. 137.
拍場告示
Veuillez noter que le lot est vendu sans prix de réserve.
Please note that this lot is being sold with out a reserve price.

榮譽呈獻

Elodie Morel-Bazin
Elodie Morel-Bazin Head of Department, Europe
+33 (0)1 40 76 84 16

拍品專文

The stamps on the verso of this photograph have been identified as M9 and M30 in Steven Manford’s book, Behind the photo: the stamps of Man Ray (2009). According to Manford, M9 is a lifetime Val de Grâce stamp used from 1935 to 1937 (p. 21) and M30 is a posthumous copyright stamp “numerous photographs sold by Juliet and from the Trust carry an ADAGP stamp” (p. 37).

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