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Face and Teardrop (Parkett 11)
Details
Georg Baselitz (b. 1938)
Face and Teardrop (Parkett 11)
drypoint and stencil
1986
on Zerkall wove paper, bound in the magazine
signed and numbered 48/60 in pencil on the contents page (there were also 15 numbered in Roman numerals)
printed by Verclas/Bergman, Hamburg
Image: 120 x 150 mm., Sheet: 259 x 214 mm.
Face and Teardrop (Parkett 11)
drypoint and stencil
1986
on Zerkall wove paper, bound in the magazine
signed and numbered 48/60 in pencil on the contents page (there were also 15 numbered in Roman numerals)
printed by Verclas/Bergman, Hamburg
Image: 120 x 150 mm., Sheet: 259 x 214 mm.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.
Further Details
Born in Deutschbaselitz (Saxony), 1938. Studied painting at the Hochschule für bildende und angewandte Kunst , East Berlin, 1956 and the Hochschule für bildende Künste, West Berlin, 1957-1963, also at Die Staatliche Akademie der Bildenden Künste, Karlsruhe, 1978 and Hochschule der Künste, Berlin, 1983-1988. Solo exhibitions include: Kunsthalle, Basel, 1983; Whitechapel Gallery, London, 1985; Galerie Michael Werner Cologne, 2006; Royal Academy of Arts, London, 2007; Musée Cantini, Marseille, France, 2011; Between Eagles and Pioneers, White Cube, London, 2011. Group exhibitions include: XIII. Biennale, São Paulo, 1975; A New Spirit in Painting, Royal Academy of Arts, London, 1981; German Art in the 20th Century, Royal Academy, London, 1985. Winner of several prizes, including Julio González Prize, Valencia 2001 and Praemium Imperiale Award, Tokyo, 2004. Awarded Honorary Professorship, Royal Academy of Arts, London, 1999, and Honorary Professorship, Accademia di Belle Arti, Florence, 2004. He lives in Germany.
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