Lot Essay
The marble relief is close to many celebrated versions, including those by Antonio Rosellino (the Altman Madonna in the Metropolitan Museum of Art), Andrea del Verrocchio, Desiderio da Settignano and Andrea della Robbia (see J. Pope-Hennessy, The Study and Criticism of Italian Sculpture, New York, 1980, pp. 135-152 and 226-227). In addition, following the success of these images, many contemporary copies, of which this is one, were made. Although notably simpler in compositional details and the quality of the carving, the present example, remains an arresting and important representation of 15th century Florentine relief sculpture.