細節
渡部滿
造夢中的由希子
壓克力 金箔 木板
1997年作
簽名:渡部滿
展覽:
1997年2月20日-3月1日「渡部滿」梅田近代美術館 大阪 日本
1997年3月6-11日「渡部滿」大丸東京美術畫廊 東京 日本
出版:
1997年《渡部滿》梅田畫廊 大阪 日本 (圖版,第9圖,無頁數)

渡部滿承傳日本傳統藝術的元素,加上日本當代文化,巧妙地帶出過去與現在、傳統與當代的矛盾。《造夢中的由希子》(Lot 1047) 中穿上整齊校服、束起兩條辮子的小女孩,在閱讀連環圖時不知不覺地睡著了。藝術家似以造夢中的小女孩貫穿日本傳統與當代文化,跨時空地經歷過去與未來。圖形的畫布突顯了夢幻的氣氛。《御舟的庭內/由希子和茉莉花》(Lot 1048)中,由希子嚴肅的眼神,不像一般小女孩天真的模樣,可是手上卻拿著以甜美可愛的女孩當封面的漫畫,由希子的心思和年紀,讓人無法猜透。渡部滿對於時空、傳統與現在的探討更見於《超時空/ Poko風景》(Lot 1049)。 背景為16世紀在歐洲盛行的巴洛克(Baroque)油畫作品,描繪農村的自然風光,其中更有正在趕牛的牧人和牛群。渡部滿巧妙地放置一盒Poko牛奶糖,伴隨七粒牛奶糖果。藝術家描繪古時養牛取天然的牛奶,至今由化學物和機械製造牛奶糖。作品超越時空,趣味十足。
出版
Mitsuru Watanabe, exh. cat., Umeda Gallery, Osaka, Japan, 1997 (illustrated, plate 9, unpaged).
展覽
Osaka, Japan, Umeda Museum of Modern Art, Mitsuru Watanabe, 20 February-1 March, 1997.
Tokyo, Japan, Daimaru Art Gallery, Mitsuru Watanabe, 6-11 March, 1997.

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拍品專文

The works of Mitsuru Watanabe combine the elements from traditional Japanese art and contemporary culture and thus artfully reveal the conflicts between the past and the present, the traditions and the modern. In Yukiko Dreaming (Lot 1047), the little girl with two plaits and in neat school uniform falls into an unconscious sleep while reading comic books; passing through space and time, she experiences the traditional and contemporary Japanese culture in her dreams. In Gyoshu's Garden/Yukiko with Camellia (Lot 1048), the serious expression in Yukiko's eyes is one that is hard to find in an innocent girl, the comic book of sweet girls on the cover further perplex the viewers as they remind of her mind and age. Watanabe's exploration on space and time, traditional and modern of art are found in Time of Absence/Landscape with Poko (Lot 1049).With the background of a typical Baroque oil painting, Watanabe creatively inserts a box of Poko and seven other milk candies in the centre to establish a connection between the natural milk from the herding cows and the artificial candies made by machines.

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