ZHANG DAQIAN (1899-1983)
ZHANG DAQIAN (1899-1983)

Worshipping Buddha and Bodhisattvas

細節
張大千 龍女禮佛圖 設色紙本 立軸
此畫無款無印。
張大千自題簽條:大千居士近作《龍女禮佛圖》,倣燉煌鋅壁畫唐人筆法。
徐雯波女士鑑藏印:徐嬪、鴻嬪掌記

展覽:‘張大千百年特展’,長流畫廊,臺北,1998年5月9-31日。
來源:張大千夫人徐雯波女士舊藏
香港蘇富比,中國近現代及當代畫拍賣,2005年5月1日,編號262。

註:《龍女禮佛圖》臨自敦煌莫高窟唐人壁畫,除了張大千自題的簽條書明唐人筆法外,更可從人物的壯美造型,和‘爪甲退入指肉之內’來推斷其欲臨摹畫作的時代。並從其示李霖燦的十四幅敦煌手相中,可以看到對於各朝代的畫法斷代,是以壁畫實物歸納來分類的,其條理井然,一看便能明瞭,畫作符合人手結構,大千先生觀察用心之細微,另人折服。
此件《龍女禮佛圖》最早是由張夫人售予台灣長流畫廊,並展覽。大千先生之敦煌臨摹畫作,絕少於市場上流通,本幅作品仍保留當年張大千在日本的原裝裱,繁複而華麗,徐雯波女士並在簽條上鈐‘徐嬪’、‘鴻嬪掌記’以示珍重之意。
來源
Collection of Zhang Daqian's Wife, Madam Chang Hsu Wen-po
Lot 262, 1 May 2005, Fine Chinese Paintings, Sotheby's Hong Kong.
展覽

Taipei, Chan Liu Art Gallery, Special Exhibition of Centenary Anniversary of Chang Dai-Chien's Birthday, 9-31 May 1998.

登入
瀏覽狀況報告

拍品專文

Worshipping Buddha is a sketch of Tang Dynasty wall murals from Dunhuang by Zhang Daqian. Along with Zhang's inscription on the titleslip that designates this specific piece to the Tang dynasty, careful observation of the figures' features, clothing and distinctive 'fingernails embedded within the fingers', these tell-tale signs not only attest to his influence of his study of the wall paintings at Dunhuang, it also helped date the original back to the Tang dynasty. From Li Lincan's fourteen diagrams depicting Hand Mudras, one can easily see their transitions throughout the periods which Zhang followed assiduously, accentuating his meticulous attention to detail.
This painting was sold to Chan Liu Art Gallery by Zhang Daqian's wife, Xu Wenbo, and was exhibited in 1998. Zhang's sketches of Dunhuang are rare in the market; the original Japanese mounting coupled with two collector's seals by Xu Wenbo also add much value to the painting.

更多來自 中國近現代畫

查看全部
查看全部